Core Instructional Programs

Many people start sketching because they want to paint the images in their mind, or simply because they want to find a little time for relaxation in their busy lives. I don't know which is your starting point? 🙂 I'm not sure.

In my classes, we will start from the basic shapes, and step by step, we will recognize the proportion, the sense of three-dimensionality, and the change of light and shadow. Whether you want to draw people, pets, or everyday objects, there's an exercise here for you!

You can learn this in class:

Learn to draw well-proportioned shapes.
Simply understand perspective and draw a natural sense of space.
Use light and dark to express dimension and texture.
✨ There are fun exercises in the classroom to help you build a sense of accomplishment!

If you are curious about sketching or want to break through the bottleneck you are experiencing, please feel free to leave a comment and we'll discuss your learning goals together!

● Learn to draw accurately proportioned shapes.
● Mastering proper spatial perspective
● Create the right configuration of light and dark and a sense of three-dimensionality.

Many people begin with watercolor because they want to add color to their lives and find a time to focus and relax.
Others simply want to challenge themselves and experience the fun of creating.

I wonder what your current motivation is for wanting to learn watercolor?
Do you want to try a new subject, or do you want to solve a little problem you have with watercolors?

During the course, we can work together to solve common watercolor problems such as:

⏺︎ The moisture and color are not controlled when painting, and after it dries it doesn't feel like it's imagined.

⏺︎ I wanted to draw a clear shape, but once I started to write, I got a little lost.

The layers before and after the ⏺︎ screen are not clear enough, and they look a bit stuck together.

⏺︎ The colors blend together and become cloudy, so you can't get the clean and bright look you want.

Whether it's a still life, an animal, a landscape or a flower, we'll start with a simple, hands-on exercise.
Step by step, we will take you to master the water proportion, color matching tips, and experience the sense of freedom brought by the flow of watercolor.

Course Highlights:

⏺︎2-3 colors can also be adjusted to create rich variations.

⏺︎ regulates moisture and pigment for a light and clean image.

⏺︎ Basic training in color matching and layering to help make images less cluttered

If you, too, want to get a taste of watercolor, or want to bring your work to life
Feel free to leave a comment and let me know what your goals are and how I can help you plan the best practice for you!

Learn how to control the ratio of pigment concentration and moisture.
Learn how to use 2-3 colors to create variations.
Helps you solve the problem of mixing up the color scheme of the whole screen.

Many people start sketching portraits because they want to capture the essence of the people around them, or because they want to create a prototype of their ideal character.

What's the bottleneck you're trying to break through when you're painting portraits?
Do you always feel that your facial features are in a strange position, or do you want to solve the problem that your shadows are not "three-dimensional" no matter how you draw them?

In the course of teaching, I have found that most students often get stuck in these structural difficulties when painting portraits:

⏺︎ The facial features are not aligned: obviously aligned according to the photo, but the eyes are always at different heights, or the center of gravity of the face is shifted.
⏺︎ The more brightness is drawn, the dirtier it gets: trying to add dimension by shading, but it turns out to be like a face smeared with gray, and you can't see the bones' twists and turns.
⏺︎ Lack of spatial awareness: when you change the angle of view (e.g. looking down or up), your mind goes blank and you don't know how to compress the shape.

The core of this course is to let go of "beauty and ugliness" and learn to "dismantle" first.
Like industrial designers, we will simplify complex faces into understandable geometric parts to solve the problem of "inaccurate drawing" from the underlying logic.

Course Highlights:
⏺︎ [Geometry of eyes, nose and ears disassembled]: Instead of drawing the skin, the thickness of the eyelids and the volume of the nasal cartilage are drawn.
⏺︎ [Fat Pad and Muscle Connection]: Understand how the smile muscles and orbicularis oris muscles pull the face and bring expressions to life.
⏺︎ [Blocking Light and Dark Processing]: Learn how to use simple "turning surfaces" instead of blind smearing to make a clean and solid picture.

If you want your portrait work to evolve from "look-alike" to "solid", please feel free to leave a comment so that I can understand your painting background and plan the most suitable training sequence for you!